Carina Bissett is a writer, poet, and educator working primarily in the fields of speculative fiction and interstitial art. Her short fiction and poetry has been published in multiple journals and anthologies including Hath No Fury, Mythic Delirium, NonBinary Review, Timeless Tales, and The Horror ‘Zine. Her work has been nominated for several awards and she was the recipient of the 2016 HWA Scholarship. For links to stories and poems, stop by www.carinabissett.com.
The Fall workshop will be ten weeks long and include six modules. The maximum word count will be 3,000 words for each module. The portfolio will include 2-3 revisions (10K max) and these sessions will take place over the course of two weeks. Workshops will begin the second week of September and will run through mid-November. There will be no workshop during the week of the World Fantasy Convention (Oct. 28-Nov. 3). The price is $500 with a 10% discount for returning participants.
The modules for Fall 2019 will be:
“The Goose Girl” & Future of Facial Recognition
“The Nightingale” & Automatons
“Pied Piper” & Viruses
Swan Maidens & Migratory Pathways
“Firebird” & Bioluminescence
“Hansel and Gretel” & Genetic Trauma
REGISTRATION: To save a seat for Intersections: Science Fiction, Fairy Tales and Myth, send an email request for an invoice to Carina Bissett at email@example.com. The fee to attend the workshop is $500, payable to firstname.lastname@example.org via PayPal. There is a $100 non-refundable deposit required to hold your spot with payment in FULL prior to the first class. Returning students receive a 10% discount. Space is limited.
Registration is open for the second Spring section of Intersections: Science Fiction, Fairy Tales and Myth. This generative workshop will be held from the first week in April (1-7) through the third week of May (13-19). No workshop during the week of May 6-12 due to StokerCon. The themes for this section include “Bluebeard” & DNA Databanks; “Thumbelina” & Microbes and Mites; and “Little Red Riding Hood” & The Natural History of the Color Red. There are a couple of open seats in the Monday session (2-4:30 pm MST) and a possible opening in the Tuesday session (12:30-3 pm MST). I will consider opening an additional session on Wednesday (1-3:30 or 2-4:30 pm MST) depending on interest. The Thursday evening session is FULL.
Note: This fairy tale art is by Amanda Diaz Photography. Her work is gorgeous and, best of all, she offers photography workshops. You can see more of her work on her website.
“East of the Sun and West of the Moon” is the third entry in The Blue Fairy Book. This Norwegian fairy tale was originally collected by Peter Christen Asbjørnsen and Jørgen Moe. It is Aarne–Thompson type 425A, Search for the Lost Husband. It is related to both the tale of “Cupid and Psyche” in The Golden Ass and to “Beauty and the Beast.” Beauty and the Beast is usually given its own subcategory as 425C which has the same name as the tale. East of the Sun and West of the Moon is usually placed in 425A: The Animal Bridegroom (Thompson 1945). You can read the entire fairy tale for free at Patreon.
“Prince Hyacinth and the Dear Little Princess,” a French fairy tale, is the second story in Andrew Lang’s The Blue Fairy Book. (Reference given in at the end of the story: “Le Prince Desir et la Princesse Mignonne”. Par Madame Leprince de Beaumont.)
This is a strange little tale about a prince with an extraordinarily long nose. Like many fairy tales composed by Jeanne-Marie Leprince de Beaumont (26 April 1711 – 8 September 1780), this story is a moralistic one. While working as a governess in England, Madame Leprince de Beaumont recast French fairy tales as children’s fiction. She borrowed liberally from the writings that came out of the 17th-century French salons and recrafted them into stories that were both moral and instructive. Her most well-known fairy tale is the abridged version of “Beauty and the Beast,” which she adapted for young readers from Gabrielle-Suzanne Barbot de Villeneuve‘s original.
ANNOUNCEMENT: The day workshop schedules firmed up for the first Spring section of Intersections: Science Fiction, Fairy Tale & Myth. There will also be an evening session, but I haven’t pinned down the time and day for those meetings as of yet.
There is ONE seat left in the Monday workshop (2/11, 2/18, 2/25, 3/4, 3/11, 3/18), which runs from 2-4:30 pm (PST). There is also only ONE seat left in the Wednesday workshop (2/13, 2/20, 2/27, 3/6, 3/13, 3/20), which runs from 12-2:30 pm (PST). There are TWO seats left in the evening workshop, but I’m waiting for another registration before finalizing that time and day. Feel free to share. This is going to be FUN! — Carina Bissett
“The Bronze Ring” is the first story in The Blue Fairy Book by Andrew Lang. This version of this fairy tale from the Middle East or Central Asia and was translated and adapted from Traditions Populaires de l’Asie Mineure by Carnoy et Nicolaides (Paris: Maison-neuve, 1889).
To kick off the new year, I’ve started a project revolving around Andrew Lang‘s The Blue Fairy Book (1889), which was the first of twelve “coloured” fairy tale collections published through 1910. There are 37 tales in The Blue Fairy Book, which includes seven tales from the Brothers Grimm, five from Madame d’Aulnoy, three from the Arabian Nights, and four Norwegian fairytales, among other sources. Every eight to ten days, I will be posting one of the fairy tales along with my notes of potential links, mash-ups, and outside sources on Patreon. Other posts will include commentary on the original authors and collectors of these tales, links to contemporary retellings, and classic fairy tale illustrations. It’s going to be a fun ride, and I hope you will join me on this adventure.